Page from Der Bildermann 1, No. 9 (1916), verso The Mocking of Christ by Oskar Kokoschka.

Müller was reputedly the grandson of a Gypsy, joining Die Brücke in 1910. Between 1924 and his death in 1930 he toured Dalmatia, Hungary and Romania studying the Gypsy culture which became the focus of his art. This realistic study contrasts…

Lithograph, 1926.

Page from Der Bildermann 1, No. 6 (1916), verso Symbole der Zeit V by Max Slevogt. Printed by Paul Cassirer.

Drypoint.

The print also appears as a plate, folio 9, from ‘Klänge’ (Sounds), c.1912/13 and a black and white version is on page 9 of the Blaue Reiter Almanac (Blue Rider Almanac), First Edition.

The Austrian director Max Reinhardt (1873-1943) transformed theatre. Reinhardt introduced new and experimental approaches to stage design, lighting, costume, voice, movement and music. His often spectacular theatrical productions demonstrated the…