Originally Plate No. 8 (page number 29) from 'Der Findling' (The Foundling) portfolio, 1922 (Shult 180). Printed by Paul Cassirer.

No 2. of the “Ganymed-Mappe” portfolio of prints by German artists, published in 1922. Beckmann moves away from the sharper, cynical view of the world seen in many of his other prints, to show a softer side. The dancing couple, typical of thousands…

Woodcut 1947.

From the illustrated book Deutsche Graphiker der Gegenwart (German Printmakers of Our Time), 1918 (published 1920). Both Campendonk and his friend Franz Marc portrayed humans and animals in harmony with each other and nature, in an evocative,…

Campendonk uses the woodcut medium to considerable effect, creating linear visual patterns and high contrast, evoking a strange dream-like place where the beggars form a tight little circle, a passer by almost disappearing into the black background.…

Woodcut, 1920.

Woodcut, 1919.

Woodcut, 1919.

This work was used as the cover illustration for the 'Mid-European Art' exhibition leaflet, published in 1944 to coincide with exhibition of the same name. The exhibition was held at New Walk Museum and Art Gallery [then called the Leicester Museum…

The ability to constantly wheel and turn to confront a new visual puzzle was a challenge and a joy to Feininger. Throughout the 1920s he could produce memorable serial works on a theme, such as the church at Gelmeroda, or here, produce an…