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Visions Plate 17: The Suicide Machine
Plate 17 from ‘Visions’, 1916-17. The transformation of the Great War into a brutal mechanised slaughter is given a surreal and ironic twist. Civilians terrified by the prospect of war can line up in a tree-lined boulevard, pay a coin into a…
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Visions Plate 18: The Aviator Who Shoots the Creatures of the Zodiac
Plate 18 from ‘Visions’, 1916-17.
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Visions Plate 19: The Answerable
Plate 19 from ‘Visions’, 1916-17.
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Visions Plate 20: The Forgotten
Plate 20 from ‘Visions’, 1916-17.
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On Vacation (On Leave)
Title page from Der Bildermann 1, No. 13 (1916), verso Wem Zeit wie Ewigkeit by Ernst Barlach. Printed by Paul Cassirer.
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Illustration to Schnapsdestille (Liquor Shop)
Page from Der Bildermann 1, No. 16 (1916), verso Betrayal in the Garden (Gethsemane) by Oskar Kokoschka. Printed by Paul Cassirer.
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Standing in Line for Potatoes (Rationing)
Page from Der Bildermann 1, No. 12 (1916), verso The Crucifixion (Christ on the Cross) by Oskar Kokoschka. Printed by Paul Cassirer.
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Hansa Fleet
Woodcut, 1918.
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Behind the Church
The square adjoining the City Church in Weimar is the subject of this picture. Feininger knew Weimar from pre-war visits but needed distance from location and in time for a vision to grow in his mind. His technique of the precise overlapping and…
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Landscape in the Taunus
Page from Der Bildermann 1, No. 6 (1916), verso Symbole der Zeit V by Max Slevogt. Printed by Paul Cassirer.