Neuschul’s paintings of unemployed workers, Gypsies and black people provoked Goebbels into having his pictures vandalised in an exhibition in 1933. Neuschul portrays the breastfeeding mother with a monumental dignity, her watchful eyes indicating…

Ernst Neuschul was a painter of the Neue Sachlichkeit, or ‘New Objectivity movement, which arose in post WW1 Germany. Prior to this between 1919-1926 his interests included Freudian psychoanalysis, sexual liberation, spiritualism and yoga. During…

Laserstein depicts herself completely objectively in her Berlin studio as an emancipated woman and professional artist, aware of her individuality and unconcerned by her unconventional appearance. Her half-turned figure recalls the portraits of Hans…

From about 1931 onwards, Laserstein began to adopt a looser, more fluid technique, her brushstrokes more impressionistic. This portrait of Laserstein’s close friend and favourite model Gertrud Rose (Traute Rose) is relaxed and informal. The image of…

Oil, 1932.

Oil, c.1954.

Oil, 1967.

Oil, 1954.

Carl Ludwig Elias was the son of the distinguished art critic, Dr Julius Elias, who did much to promote a true understanding of French Impressionism in Germany. He was a lawyer in Berlin and emigrated to Norway when the Nazis came to power. He was…

Alternative title: The Granddaughter in the Wicker Chair Liebermann’s granddaughter was a much loved and frequent visitor to the artist’s lakeside villa. In this relaxed and unsentimental study, she is shown with her book leaning on a chair, while…