Page from Der Bildermann 1, No. 1 (1916), verso Demut by Ernst Barlach. Printed by Paul Cassirer.

Plate 10 from ‘Visions’, 1916-17.

Page from Der Bildermann 1, No. 16 (1916), verso Betrayal in the Garden (Gethsemane) by Oskar Kokoschka. Printed by Paul Cassirer.

The square adjoining the City Church in Weimar is the subject of this picture. Feininger knew Weimar from pre-war visits but needed distance from location and in time for a vision to grow in his mind. His technique of the precise overlapping and…

This is Plate 12 from the series of 50 entitled War, published by Karl Nierendorf in 1924. War is Dix’s best-known printed work, in which he depicted the horror of WWI as he had experienced it. Dix had made over 600 drawings while serving as a…

Page from Der Bildermann 1, No. 1 (1916), verso Symbole der Zeit I by Max Slevogt. Printed by Paul Cassirer.

This is an illustration to a poem by Christian Morgenstern 'We Have Found a Path'. Page from Der Bildermann 1, No. 7 supplement (1916). Printed by Paul Cassirer.

Feininger loved to cycle around the villages near his home and studio, and Gelmeroda, a small village near Weimar with its wooden church became a favourite motif. Feininger first drew the church in 1906, going on to produce numerous prints and…

Page from Der Bildermann 1, No. 3 (1916), verso illustration to Die neue Sommerzeit (Arno Nabel) by August Gaul. Printed by Paul Cassirer.

Title page from Der Bildermann 1, No. 8 (1916), verso illustration to Mattenrast (Morgenstern) by August Gaul. Printed by Paul Cassirer.