Oil, 1943.

This painting, originally titled The Levelling, was originally thought to predate the First World War. However it was re-titled when two woodcuts and a drawing, all dated 1918 and all closely resembling the painting were discovered in the Ludwig von…

Münter met the Danish writer, Anna Roslund, shortly after her move to Copenhagen from Sweden in 1917. In Sweden she had renewed her interest in Matisse and abandoned her earlier Bavarian primitivism. Deep in thought, the stylish, pipe-smoking writer…

Ernst Neuschul was a painter of the Neue Sachlichkeit, or ‘New Objectivity movement, which arose in post WW1 Germany. Prior to this between 1919-1926 his interests included Freudian psychoanalysis, sexual liberation, spiritualism and yoga. During…

From about 1931 onwards, Laserstein began to adopt a looser, more fluid technique, her brushstrokes more impressionistic. This portrait of Laserstein’s close friend and favourite model Gertrud Rose (Traute Rose) is relaxed and informal. The image of…

The image of the woman applying her make-up is a powerful one. Painted in Berlin at the height of the Weimar years, it gives an insight into the changing fortunes of young metropolitan working women who, in the mid-1920s were achieving greater…

This is the earliest of Meidner’s apocalyptic landscapes, a series of paintings he produced in his Berlin studio during the summer of 1912. These paintings of burning cities and fleeing people, coming just before the outbreak of the First World War…

Painted in 1941 from drawings made in the garden of a house in Campden Hill, London. The additional images show a letter about this artwork from Mrs Charlotte Bloch, the wife of the artist. Mrs Bloch give context and interesting details about the…

Red Woman was one of Marc’s last paintings containing the human figure and reflects the humanistic idea of man’s interrelationship with nature. A ‘primitive’ woman, untouched by the corrupting influence of civilisation, is harmoniously absorbed into…

This painting, depicting a sunset scene with a factory worker returning from his shift, belongs to a highly significant series of paintings Felixmüller produced in the early 1920s. The artist’s brother was a mining engineer, and Felixmüller produced…